#intersections VOL.10: the IA can-it engendrer of artists authentiques?

VOL.10: the IA can-it engendrer of artists authentiques?

The Printemps numérique has the plaisir of you invite at the 10e volume of the series #intersections in order of célébrer the lancement of the 6e edition of the Printemps numérique of Montréal, and the 1st edition of the Printemps numérique of Bruxelles!

For the occasion, nous aurons the spotlight of recevoir to new Hugues Bersini, who nous offrira conference en deux parties on the theme of artificial intelligence.

This volume of #intersections is developed in collaboration with:

To the heure where of the tableaux whose the auteur is a IA itself vendent to the award exorbitants, that of the music whose the auteur is a IA font of the millions of « likes » on YouTube and that of the romans and of the scénarios sortent a plume IA, il is major temps of itself poser the question: « the IA can-it engendrer of artists authentiques? ».

✔ Conference

Hugues Bersini, Member of the Académie royale of Belgique, professor to the ULB and co-directeur of the laboratoire IRIDIA, donnera conference en deux parties and will be followed by a discussion on the issues of the IA in the domaine of arts:

1. In the first partie, Hugues Bersini rappellerand synthétisera the mécanismes algorithmiques the more courants to the origine of these productions: systèmes to base of règles, pouvoir génératif and exploratoire of algorithms génétiques, talent incontestable of imitation of the networks of neurones profonds. On assiste today to a extension of the test of Turing, questionnant to the origine the authenthereté of the intelligence of assistants conversationnels or others champions loghereels of go or of Thu video, in the univers of arts.
2. These prétendues works are-elles the produit a creation authentiquement artistic or a succédané although modeste? Si nous persistons to dénier in the loghereels IA the possibilité a vécu émotif, a « je ressens therefore je suis », a for intérieur, an experience to the first person, nous accepterons without doute that the conditions of production a work demeurant inséparable of sound appréciation, this n’is pas tomorrow (and without doute ever?) that the IA pourra engendrer of véritables artists authentiques. And cela, both that nous resterons at the makes of these mêmes conditions of production. It is this whose Hugues Bersini tentera you convaincre in the second partie of sound exposé.

✔ Schedule