The vivier / calibrating

This concert transgenre regroupe of the works inspirées of the metal of Harry Stafylakis and Nicholas Omiccioli, a work inspirée of the music popular indie-pop of the scene new-yorkaise of Missy Mazzoli as well qu’a work inspirée of the philosophy of the cinema horror by Nicole Lizée. the whole has commissioned for this project a double concerto for guitar electric and drums supported a whole Pierrot of Tim Brady and a creation of the composer Toronto-based Rose Bolton who merges music traditional and electronic. This concert makes partie of the season 2018-19 of the Whole Paramirabo and is co-presented with the group The Vivier.

Participants

• Tim Brady, guitar electric

• Ben Reimer, drums

• Jennifer Thiessen, alto

• Whole Paramirabo (Jeffrey Stonehouse, flûtes; Victor Alibert, clarinettes;Geneviève Liboiron, violon; Viviana Gosselin, violoncelle; Daniel Áñez, piano; David Therrien-Brongo, percussions)

Program

Missy Mazzoli, Still Life with Avalanches (2008)

Nicholas Omiccioli, Push / Pull (2013)

Rose Bolton, [titre to déterminer] (2018) (creation)

Tim Brady, Double Concerto (2018) (creation)

Harry Stafylakis, Calibrating Friction (2016)

Nicole Lizée, Music for Body-Without-Organs (2011)

flûte, clarinette, violon, violoncelle and piano

Commissioned: Whole Transmission, with the aide of the CALQ