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Exhibition
Projection
FIFA - TABI-IMO: TABAIMO 2011-2017
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SYNOPSIS
First mondiale
Presented with the soutien of the Consulat general of the Japon to Montréalthe artiste japonaise Tabaimo (née in 1975) explore different moyens of expression artistique, passant of the drawing, to the animation and to the installations, and jumelant these formes of art for create of works disposées in spaces spécifiques. illustrant in different museums and théâtres to through the world, its creations have including been exhibited to New York, Zurich, Sydney and to the Biennale of Venise. Donnant the parole to Tabaimo, this documentaire survole the nombreuses expositions of artiste, we donnant to discover its art digital and immersive.
Presented with the soutien of the Consulat general of the Japon to Montréalthe artiste japonaise Tabaimo (née in 1975) explore different moyens of expression artistique, passant of the drawing, to the animation and to the installations, and jumelant these formes of art for create of works disposées in spaces spécifiques. illustrant in different museums and théâtres to through the world, its creations have including been exhibited to New York, Zurich, Sydney and to the Biennale of Venise. Donnant the parole to Tabaimo, this documentaire survole the nombreuses expositions of artiste, we donnant to discover its art digital and immersive.
RÉALISATION
YASUSHI KISHIMOTO
the artiste Yasushi Kishimoto is né to Kyoto in 1961. After its studies university, it a worked pendant six ans in an usine before of commencer the production of documentaires on the art.
Filmographie | Kyoto Art Today Vol.1-29 (1992-99); Yoshinobu Nakagawa 1984-1994 views of seeds, eyes of farmers (1994); Of the ruine to the light Georges Rousse (1995); Go on The Stage Morimura (1996); The Image of Techno Thrapy (1998); Hatsu-imo: tabaimo 1999-2000 (2001); Our Museum (2002); Sugimoto: Hiroshi Sugimoto 2008-2013 (2013); Philosophy of Tsumugi: The World of Fukumi Shimura (2014); Mist of Seeds: Yoshinobu Nakagawa (2017); Tabi-imo: Tabaimo 2011-2017 (2017);…